a certainty and not the poem I meant to write
A Certainty and Not the Poem I Meant to Write
If there is only one world, it is this oneRain, sounding like talk, like the dulled necessary words
–Larry Levis, “Decrescendo”
of couches, of fireplaces and coffee tables, will be snow
by afternoon, and I will have forgotten the six crows,
the one mockingbird over the gnarled ridge.
I used to say I wouldn’t bother with hidden things,
I needed them too much – railroad underpasses,
lit houses, closed windows, shelves of books –
but I don’t speak this any more.
Dawn, wet and cold, shakes through the spruce on the hill.
The apple gives no note, acts hard of hearing, not willing
to show any emotion. I know this wind, and have felt
the air for it, have waited beside summer roads, wanting
only its freedom. I promised myself I would give it back,
but never did, swallowing instead. I would walk, silent,
through town, unwilling to let anyone know my secrets.
An empty lot, the one television station. The upstairs
bowling alley that rumbled over a bakery counter –
fluorescent pastries behind glass. The bus terminal,
abandoned, merciless, with its wall of magazines and
delicious, forbidden photographs. I could dream of cars
then, the shaking of my bed – a radio under my pillow –
horse-print curtain, brown and wild in the opened window.
A church once stood on that corner there. Hands,
hurt but free, would push their feebled requests
into immovable skies, reconciled to the thunder
of numbed words hurtling over land. The chorus
that would train their desperate vocabularies as if
the smallest details could lend themselves to immortality.
I knew nothing then. I asked no questions then,
but believed my life would always be as it was –
burning, ready, at any moment, for something.
Now those streets are lost to me.
The legs I thought would swell forever,
would burn always, are dry, are tired, finished,
though I don’t remember when this happened.
The streets I walk now are only streets, nothing more.
They lead in circles, are under construction,
their cul-de-sacs invite no one.
Rain, according to local weather, boasts of flood,
but brings nothing. My streams are lost among thickets
of maple, of oak, among fence posts, wire & rocks
& ditches, where two horses, heads to the ground,
undisturbed, their powerful jaws knowing perfectly
the world of grasses, prove their own design.
The streams push against my banks, deliberate
in what is given. Water rises
past my calves, my thighs, stomach, nipples, chin.
I flare both nostrils,
taking in this one last thing
my life brings. And then my eyes –
What I see there in the slow darkness is
exactly what I’ve wanted.
9 comments:
Ditto what I said about your voice in "The Politics of Desperation."
Something Neruda-like in the listing here?
Reading this poem is a course in what line means. The music of balance and caesura.
Many wonderful phrases: "the one mockingbird over the gnarled ridge," "Dawn, wet and cold, shakes through the spruce on the hill," "The chorus
that would train their desperate vocabularies" --- these and many more.
Oddly enough, for the past four or five weeks I've been reading Neruda and Milosz every day. Thanks so much for your comments James. They're very helpful.
lord....this is beautiful~
write-on Mr. 10,000~~~write-on
~beLLe
Stunning. You took my breath away. Thank you for this, Sam.
Thanks beLLe and Suzanne for the encouragement.
Wonderful poem.
I found your blog from Jenni's blog. One of my favorite poets is Levis, so your poem had me from the start.
Thanks for the read Jim. I have to add that Levis' Winter Stars is a major work of poetry that must be read.
For a moment, I thought it was too long, but by the end found every stanza necessary.
I like the word necessary. I appreciate the read Collin.
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