three points of reference ...
I could write volumes on each one of these pieces, but anything I would or could say would be obliterated by the force of the works themselves. These pieces are larger than words.
from Izumi Shikibu
Lost in thought – even the firefly from the marsh seems to rise out of my body, like my soul
(trans. Hiroaki Sato & Burton Watson)
Watching the moon
at dawn,
solitary, mid-sky,
I knew myself completely,
no part left out.
(trans. Jane Hirshfield & Mariko Aratani)
from Dōgen
To study the Way is to study the self, to study the self is to forget the self, to forget the self is to awaken into the ten thousand things.
(trans. Jane Hirshfield)
from Li Po
I Make My Home in the Mountains
You ask why I live in the mountain forest,
and I smile, and am silent,
and even my soul remains quiet:
it lives in the other world
which no one owns.
The peach trees blossom.
The water flows.
(trans. Sam Hamill)
*
I’m not sure, ultimately, how I’m connected to the planet, but I know I am. I know that my uncle is wind in the trees beyond my porch. When I stand by the river, my grandmother’s voice drifts over stones. When I open a jar of apple butter, my friend is seated in a chair at the table. And maybe we talk, but usually I just listen.
I’m thinking of a line from Wang Wei: “A fisherman’s song carries far past the shore.”
This is true.
7 comments:
Thanks for posting these!
Lovely post, Sam. Thank you.
I've been carrying this post around inside me since I read it yesterday.
Like a caught firefly, its been blinking off and on in its glass jar.
Thank you for these words, Sam.
"To study the Way is to study the self, to study the self is to forget the self, to forget the self is to awaken into the ten thousand things."
(trans. Jane Hirshfield)
So true and also I now know the reference for your blog's title.
My sister-in-law, by the way, shares a horse with Hirschfield. How's that for meaningless coincidences?
beautiful poems, sam. thanks for sharing — reminds me that i should read more oriental poetry, too.
love awakening "into the ten thousand things".
a.
Love these . . . thanks.
Sam,
These are a wonderful collection. Some of my favorite lines are yours, showing that the Way isn't something historical but of this moment:
I know that my uncle is wind in the trees beyond my porch. When I stand by the river, my grandmother’s voice drifts over stones. When I open a jar of apple butter, my friend is seated in a chair at the table.
Rachel
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